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MSU Faculty Authors

Author

Edward T. Potter

Associate Professor, Classical and Modern Languages and Literature

E-mail address: epotter@fl.msstate.edu
Website: http://www.cmll.msstate.edu/faculty/details.php?netid=ep75


Dr. Potter received his B.A. from The Pennsylvania State University, M.A. from Christian-Albrechts-Universitat, Kiel, and his Ph.D. from the University of North Carolina at Chapel Hill. He also studied for a year at Georg-August-Universitat, Gottingen. His research interests include 18th century literature and culture, German drama, marriage and gender in literature and hypochondria, illness and medicine in literature. Dr. Potter is the author of Marriage, Gender and Desire in Early Enlightenment German Comedy. His work has appeared in journals such as The German Quarterly, Seminar, German Life and Letters, Lumen and the Goethe Yearbook. Dr. Potter is a two-time recipient of the MSU State Pride Faculty Award and is currently working on a series of articles.

Marriage, Gender, and Desire in Early Enlightenment German Comedy

Potter, Edward T.
Publisher: Camden House
2012
ISBN: 9781571135292

J.C. Gottsched, who reformed early Enlightenment German theater, claimed for comedy the ability to transform morality. The new literary comedies of the 1740s, among the other moral goals that they pursued, propagated a new sentimental discourse promoting marriage based on love while devaluing its traditional socioeconomic foundations. Yet in comedies by well-known dramatists of the period such as Gottsched, Gellert, J. E. Schlegel, Lessing, and Quistorp, alternative gender roles and sexual behaviors call the primacy of marriage into question: there are women who refuse to be integrated into marriage, episodes of cross-dressing that foreground the culturally constructed aspects of gender roles, instances of male same-sex desire, and allusions to female same-sex desire. Edward T. Potter examines this marital discourse in close readings of these authors' plays, uncovering the ambiguity of eighteenth-century comedy's stance on marriage and highlighting its resistance to the emerging discourse of the sentimental marriage. In addition to excavating the connections between the texts and norms regarding gender roles and sexual behavior, Potter also examines how these comedies self-reflexively perform their own reception in plays-within-plays that reflect upon early Enlightenment comedy, poetics, and pedagogical aesthetics and thereby comment on the efficacy of theater as a means of propagating such norms.